Featured Artist for August 1997
Orange Composition exhibits energy, movement and balance. The gestural strokes and sweeps of color indicate quickness. -- So sure in her painting, we see pure and confident abstract marks. Meet the Artist
About The
Artist She says computers are a mystery to her but she enjoys the communication it provides in promoting her style of art. When she was a student she was well aware that playing the radio allowed her to focus on her work. She is now trying to be a good listener of classical music and has some light and snappy views to art... -- keep an eye on the roundness of a curve in order to make it be accurate, --constantly measure distance from different points, --quick gestural drawing establishes action and porportion, --erasure will express a being less graceful so make the line accurate and draw over a line instead of erasing, --keep a light hand, --use shadow to define line and work both positive and negative space, --flat shadings are effective, --contour shadings make detail out of porportion as the light falls in one shade.
Deborah creates traditional landscape paintings instead of simply photographing the scenes. She seems to live in a spirit of perfection with nature and tradition. These abstract works are her largest renderings and are approximately 3 x 4 feet. She continues to use the 7 color limited pallette for oil painting but acrylics have her interest right now.
Education
1977-1980
Keene State College, Keen, NH 1982
Sharon Arts Center, Sharon, NH 1987 West Texas State University, Canyon, TX
Selected Exhibitions 1997
Ongoing interactive show, Art Communications 1995
School House Gallery, N Truno, MA 1994 Vermont
Studio Center, Johnson, VT 1993
The Souhegan Marketplace, Milford, NH 1983-1985
Wayne Greene Enterprises, 1982
Sharon Arts Center, Sharon, NH
In Galaxy, I felt far out in the cosmos, so I resorted to geometric structure for balance. The gold area at the base of the painting lends grounding with the free movements and small areas of color that are balanced here and there. I like the bright red and it works here because there is a very little bit of red in the blue background.
Faded Glory is successful because the values of the colors are all quite close. It isn't really faded -- the contrasts are in the hue of the color rather than in the values. I experimented with brushing the paint after it had begun to dry to gain some fine lines. I work with what I call my throws -- the way paint is applied, these lines are not applied delicately so I am glad that I achieved this quality. Another way the paint is applied is in uninhibited gestures.
Contact the Artist Please Email ArtQuest for sales information ARTIST STATEMENT My paintings are about color and emotion as well as balance. I was trained to produce representational paintings but very much enjoy the freedom to create in the abstract. A good landscape is also very abstract and a way of communicating on paper. These communications are the same in both types of paintings, an abstract and a landscape or still life have the same elements as does a portrait. I experience much joyousness in the use of color. ~ Deborah Stone |